I think I first became aware of the wet plate collodion process when we (Fotoimport, the place I work) printed Johanne Seines Svendsen´s exhibition for TV-aksjonen in 2013. The theme of TV-aksjonen that year was dementia, and Johanne had taken portraits of young and old people, some of them sort of fading away. I really liked the organic feeling, with fingerprints, peeling and chemical imperfections

The photographies in the background: Nicolas Bets, John Wright, Andrea Pavan You changed to digital photography in 2009. Why do you prefer it? I was